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      <image:title>Lessons</image:title>
      <image:caption>Ryan on his album recording sound check (2020)</image:caption>
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      <image:title>Bio - Ryan Devlin is a saxophonist, woodwind educator, and arts administrator from Orlando, Florida. He began his musical journey under the guidance of his father, Scott Devlin, leader of the Walt Disney World Sax Quartet. Growing up in a home filled with music, Ryan was immersed in an environment of teaching, practicing, performing, and listening from an early age. After studying piano for three years, he began playing the saxophone at age nine and quickly developed a passion for the instrument. Ryan earned a Master of Music degree in Jazz Performance from the New England Conservatory in Boston in 2023, where he studied with renowned saxophonist Jerry Bergonzi. Since then, he has built a multifaceted career as a performer, educator, and producer. In 2026, he was appointed Executive Director of Jazz Lesson Videos, one of the leading online platforms for jazz education. As a performer, Ryan is a member of the Dave Weckl–Tom Kennedy Project and is featured as a soloist on the group’s latest recording, The Summit. He has also performed as a featured soloist with acclaimed ensembles including the Grammy Award-winning 8-Bit Big Band, the Orlando Philharmonic Orchestra, and the Orlando Jazz Orchestra. Ryan continues to tour internationally as both a bandleader and sideman, performing at renowned venues including Smalls Jazz Club and Zinc Bar in New York City, Blue Note Milano, Ronnie Scott’s Jazz Club in London, Scullers Jazz Club in Boston, Judson’s Live in Orlando, The Rex Hotel Jazz &amp; Blues Bar in Toronto, and Rudy’s Jazz Room in Nashville. His achievements include winning the 2017 Central Florida Jazz Society Scholarship Competition and earning runner-up honors in the 2017 Bob Washington Jazz Scholarship Competition. Throughout his development, Ryan has studied with distinguished musicians including Chad Lefkowitz-Brown, Alain Bradette, Lucas Pino, and Tedd Baker of the United States Air Force Band’s Airmen of Note. He has performed and recorded with notable artists such as Davis Whitfield Jr., Mike Bond, Chad Lefkowitz-Brown, Dave Weckl, Ravi Coltrane, Steve Kortyka, Dave Pollack, Gene Perla, Adam Nussbaum, Ulysses Owens Jr., and John Lumpkin.</image:title>
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      <image:caption>Ryan plays a Selmer Paris instruments exclusively</image:caption>
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      <image:title>Equipment - KeyLeaves</image:title>
      <image:caption>Ryan Devlin has been a Key Leaves endorsed artist since 2018. “I put these on and they dry my pads…..I never have to worry about my pads sticking!”</image:caption>
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    <lastmod>2021-06-14</lastmod>
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    <loc>https://www.ryandevlinmusic.com/qoutes</loc>
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    <lastmod>2023-03-20</lastmod>
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      <image:title>Quotes and testimonials - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.ryandevlinmusic.com/albums</loc>
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    <lastmod>2023-11-28</lastmod>
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      <image:title>Albums - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Albums - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e9b3b350667c66d430de4d9/4bcddf35-e6aa-4504-8ea7-b166ec113530/IMG_4280.JPG.jpeg</image:loc>
      <image:title>Albums - The Shape of Light</image:title>
      <image:caption>“The Shape of Light” Ryan Devlin’s Electric Band is taking aim at the 70s funk and fusion genres. Influenced by artists like Steve Grossman, Joe Henderson and Michael Brecker, Devlin and his quintet put their own modern spin on the some of the classic tenor giants' arsenal of tunes and vocabulary. Track listing - The Drag - Thomas Milovac WBAI - Steve Grossman Moon Germs - Joe Farrell Stella By Starlight - Victor Young Amtrak - Ryan Devlin Castles - Thomas Milovac Kelli With an Eye - Ryan Devlin The Shape Of Light - Ryan Devlin Personnell - Ryan Devlin - Tenor and Soprano Sax Anthony Aldissi - Keyboard Thomas Milovac - Electric and acoustic bass Zach Muth - Guitar (tracks 2,5,6 &amp; 8) Eric Bailey - Drums STREAMING - Spotify - https://open.spotify.com/album/4VgmhzBx8a4l1XySlQNII2?si=g2u4MFLCTrSAOHllcn2Zwg Apple Music - https://music.apple.com/us/album/the-shape-of-light/1588060932 Linear Notes - Castles - “Castles'' is a composition inspired by the work of the late soprano saxophonist Steve Lacy. Much like Lacy’s later compositions, this piece is focused around the repetition of cellular riffs which form their own jagged groove. The ascending fourths in the melody reflect the towering super structures of a grandiose medieval fortress. In this version, the slow, simmering tempo is reflective of the earthen material which form a castle’s strong walls. This is a composition constantly in flux with an open improvisation section and relies on the intuition of the musicians. -(Thomas Milovac 2021)  The Drag - This composition was originally written as part of a suite of music meant to accompany dancers. The heart of this tune and it’s groove are inspired by New Orleans funk music. Much like a composition by a group such as The Meters, the saxophone and bass play a unified melody backed up by the driving beat of the drums. The trio setting of this tune allows for further open harmonic exploration and improvisational conversation. - (Thomas Milovac 2021) Kelli with an eye - This composition was written as a “free form”piece. The little nine note melody is based on the “Messiaen Mode 3” scale, a nine note scale I have been studying. The title comes from a joke I have with my younger sister, Kelli. There was a scene in a show we used to watch as kids called “Spongebob Squarepants” where one of the characters talks about “having an ear for free form jazz”. Kelli would always refer to that after she would hear one of my compositions at a concert, so I thought it would be more than fitting to name this piece after her. Moon Germs - This tune is the titular track of Joe Farrell’s 1973 album, “Moon Germs”. My father exposed me to Farrell’s album when I was just starting college. Farrell’s post-Coltrane playing acted as an excellent gateway for me to venture aurally to other great post-Coltrane saxophonists such as Dave Liebman and Steve Grossman. This selection serves to pay my respect to Farrell and the influence he’s had on my playing. It also serves to reinforce my belief that you must always have a blues on a jazz record. WBAI - This tune is the first track on the late Steve Grossman’s 1974 debut album, “Some Shapes to Come”. Grossman’s impact on my playing and my approach to music has been fundamental in getting me to where I stand now musically. One aspect that I made sure to carry over from the original recording was the use of effects. Benoit Glazer recorded and masterfully mixed this to ensure it was authentic to the source material.  STELLA BY STARLIGHT - This beautiful standard by Victor Young was originally composed for the soundtrack of the 1944 film, “The Uninvited” and has grown to become one of my favorite standards due to its simple, yet elegant nature. I wanted to highlight the vulnerability and intimacy of this tune, so I opted to play duo with Anthony Aldissi on keyboard. Chris Potter’s wonderful “Lift - Live at the Village Vanguard” recording is where I learned this song. To keep the music as organic as possible, Anthony and I did not discuss the arrangement prior to playing and it helped to establish a deeper connection in our rendition of this tune. AMTRAK - I wrote this tune as a representation of my experience on a  seven hour long Amtrak train ride from Philadelphia to Boston at 1 a.m. The train lost power in New York City at around 3 a.m. and instilled unease within me at the time. I had composed the tune with the playing of Jerry Bergonzi and Steve Grossman in mind. I wrote the tune also trying to convey the frenetic and uncanny feeling of nocturnal, long-distance public transportation. Hopefully some of my unease is portrayed well enough to share the lesson I learned: never take a redeye Amtrak. THE SHAPE OF LIGHT - This track was entirely free form. No prior instructions, no arrangements, just free. Benoit Glazer came up with the name of the song after the record date, as it was untitled when we recorded it. He named it “The Shape of Light”. I thought that name not only encapsulated the essence of the tune, but of the whole album. The creativity, spontaneity, and communication by all members of the band was so rewarding to be a part of. I hope the world and music-community can hear and look forward to the direction I want to take my sound and group in for the years to come.  Special thanks to Thomas Milovac, Anthony Aldissi, Eric Bailey, Zach Muth, Micah Silverstein, Benoit Glazer, Riley Cashon and my family for the love, support and opportunity to create this project.  With love, Ryan Devlin (2021)</image:caption>
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      <image:title>Albums - Thoughts On The Matter</image:title>
      <image:caption>Ryan Devlin - Saxophone Per Danielsson - Piano/keyboard Thomas Milovac - Bass Ulysses Ownes Jr. - Drums Tracks - Freefall The First and Last of Everything Intro to Grief Suite Grief Suite Mvt. 1 - Shock Grief Suite Mvt. 2 - Depression Grief Suite Mvt. 3 - Anger Grief Suite Mvt. 4 - Acceptance Yorkshire Street Riley Resolution This project came together almost by chance. During a global pandemic I did not think recording a live album was even possible. Luckily Benoit Glazer and his family at Timucua Arts made live music possible during this unpredictable time. I had the opportunity to meet Ulysses Owens Jr. at Timucua back in September. After sitting in on his group's gig, Ulysses offered to come back and play with my Quartet. I immediately went to my favorite Pianist and Bass player in town in Per Danielsson and Thomas Milovac and started writing the project.  This album is written based on my thoughts and feelings on different matters. After 23 short years of life I've experienced a lot of positives and negatives. Losing my mother in December of 2019 was and still is the biggest obstacle I've faced. I based the album around "The Grief Suite" a suite I wrote based on my feelings during the grieving process after losing my Mom. The tunes proceeding the suite are "Yorkshire Street" which was written for my Yorkshire Terrier Macy and "Riley" a tune I wrote for my beautiful girlfriend. I chose to finish the album with John Coltrane's "Resolution" from his famous project "Love Supreme". Not only does the title really finish off the album but the energy and melody really caps off the project.  I can't put into words how thankful I am for Benoit Glazer, Ulysses Owens Jr., Thomas Milovac and Per Danielsson for helping bring this project to life. Everyone's playing is absolutely beautiful and exactly what I envisioned when putting this together. I hope you hear my voice come out through this music. Ryan Devlin (2021)</image:caption>
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